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been disabled here for some time. The short answer to that force represented a continued effort for which there always are in the mood or time enough. On the other hand, tried again this blog never generate cliques earthy, even in sporadic cases might seem. There is a tendency here to the intro literary genre that usually leads to relief of the commentators, who prefer primed sharply with the political. There is no better test than targeted to go to the digital pages of a newspaper and notice what attracts the interest of the reader who uses the questioning. Not usually point, I assure you, the items of the cultural pages, except that they feed some controversy recently starred as fencing and Espada, who, having drifted into the brothel, because of questionable taste with which she faced her reply the second, took a somewhat unusual impact. But also, most commentators are part of that day might be considered "Army of Darkness": Dark soldiers (anonymous) and twisted tusk. As this practice, as in all in which is relegated to the discrete-life itself, has perverse consequences: it takes the pulse of public opinion which just goes faster your heart rate. Thus, if clumsily vital signs are investigated, is more than likely to err on the diagnosis. In Nazi Literature in America , Bolaño has a purpose Matthew Aguirre Bengoechea I hated it "Alfonso Reyes worth more tenaciously noble endeavor." What a great application would be given to the first law of thermodynamics if the dark energy of most commentators was transformed into a constructive force, if that determination is overturned more wicked noble endeavor. And how much better we would do if given due weight to everything, even though the noise we occupy the exact job that takes you to the middle finger should be pressed for time delete key .

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Early in the morning I left the camera at the beach. It was an almost visceral dawn shreds. Life recently beat out over San Lorenzo. Somewhat later, in the quiet of the ride, I put foot to the image.

Perhaps the only certainty on whether the light
awakening.
But on these mornings when the sky
raw dawn
affirm the eyes in the land
like docile
as if it were eternal.

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Aim for the inevitable noise generated by the friction with the other or mess up what is said, or disturb the silences essential. Why

suecede always agonizingly aware that the clarifications that attempt to alleviate the misunderstandings eventually become a kind of agony that is more often fatal. What a disappointment

these humble beginnings mine. Nothing is more distinguished than silence, but one is a villain you can words.

there not in any interpretation a sin of arrogance?

Is there any misinterpretation in an exercise in ignorance or, at worst, bad faith?

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Poetry es memoria de la sombra de la memoria , dice la cita de Gelman que abre el nuevo libro de Paco Velasco, quien, además, en sus primeros versos, se afirma en la idea axial que se desprende del poema citado y de toda su escritura: Dice verdad quien dice sombra . Y pues la poesía es un andar casi a ciegas en busca de la luz, los versos de este libro no pretenden sino la verdad, buscan la narración precisa, pero a la vez elegiaca, de lo que la vida ha sido, de lo que de la vida queda en esa trocha que el poeta ha ido abriendo en las páginas en blanco de cada uno de sus días. La palabra del hombre / hacia la muerte / comienza en aquel cuaderno de rayas / y se tuerce en los versos / con que abres / la trocha between the branches of the white page . In that notebook, or other similar at least, talk again later, and on returns, that part of the book in which, in a deep, heartfelt and exquisite literary, becomes the people, children, the beginning, but above anything else, education of sensibility forged in contact with the landscape and home: Striped primer / waiting on the table / and the recent loaf / and the pot of milk / it cools. / (...) Listen to the lark as a thousand hearts beating / roadside / to start the day. That bread is the mother, and is warmer than the oven by touching of the hands that have amassed in the trough. Paco Velasco said in his book dedications Night , explaining some beautiful heptasílabos (Hogacita hot / cold that the dawn. / A work of man / smells and morning) that his mother made the best loaves the world. I do not think it is coincidence that this recovery of children, people, landscapes, its birds, its river, slate where d ibujaba ordered a simple and happy world, this bundle of poems that are Returns occupy the heart of the book and pull up as well, with an undisguised tone manriqueño: What took the stone from the grave / child hunter and air in the sink? There was forged in large measure, the man who then went and wrote, and finally collected his way in this age that is memory, shadow memory, just as well, when another menacing shadow looms on the horizon. shadow comes from the sea, / from the mountain, / the morning light / that afternoon off. / (...) On the sea, death. It will assemble your book. With the poetry itself that constitutes the first chapter, the shadow words: With the lights falls, / is longer than the body / the shadow that follows you . With evidence of aging that moves the poems of the second part, memory eyes: "(...) days advance / and time you delete and wrinkles / and the hand away. / And the face and memory . Reaching its peak in the beautiful Returns, which one believes that both have those "silent waters" that flowed from the previous book Paco Velasco. The decline of this particular Mount Caramel is precipitated with a desperate time Disclaimer ( rain comes slowly / and the grass growing in pots / rises to drink.) To The fire and ash, the last season all it consumes and to which we can only follow, as the last hope (as cited by Claudio Rodriguez), draining the "blank page". Paco Velasco's poetry, the very old earth juice, distilled purer than ever, focused, intense and, above all, authentic, this Memory shadow.

Francisco Alvarez Velasco
Cultural Institute "The Brocense"
AbeZeterio Collection, Cáceres, 2010

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Memory Sueve shadow strip lines

Saturday evening. Carrandi. Near the church. The Texu. With Sueve the background. Overhead. Dotted Snow and sunshine late. In silence and after so much noise.

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few days ago that introduced the new book by Fernando Menéndez: strip lines. There were few people in the Old Institute was wrapped to the author. Jerónimo Granda introduced it and José Ramón González. Faced the book, the presentation itself, since different attitudes: the occurrence and interpretation almost academic. In between, Fernando, with his methods in hand, spoke of this somewhat sprawling, open incontinent as yours, and maybe the time as paradoxical for a cultivator of short, haiku and aphorisms. Minimalism gives the idea that even the book itself presented, published in a size that can take almost any pocket without bulge or not though, may well read thereby calling the aphorisms: intermittent, such as pecking. The Fernando should also ruminate interpreted. There are statements to the eighteenth-century style, but small provocation, spurs for reflection. Some even lack of preaching, as if just saying the evidence was sufficient to open the eyes of the reader: The collapse of the wall of privacy . Other highlights poetic nuances: Before turning off the light, think about what you are dreaming . And in most addresses all those issues that do not escape the observant spirit of Fernando Menéndez, and are the subject concentrated on so often literary or philosophical construct more extensive, but not wiser.
words deafen the mind. By dint of living
one ends up being more cynical or more ignorant.
There are two types of humans: the concentric and eccentric.
Fanaticism is announcing the evening twilight.